Real client case

Obverse of the painting in its late-Victorian swept frame

Real client case reviewed by ConfirmArt for Obverse of the painting in its late-Victorian swept frame, attributed or related to Historic & Old Master Cases. The public page presents selected visual evidence and a rendered report viewer without exposing the private commissioned PDF.

Artist / group
Historic & Old Master Cases
Identifier
0532-08/2025
Obverse of the painting in its late-Victorian swept frame attributed or related to Historic & Old Master Cases, frontal artwork image for ConfirmArt authentication review

Selected evidence

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Historic & Old Master Cases Obverse of the painting in its late-Victorian swept frame authentication evidence image 1
Historic & Old Master Cases authentication evidence image 1: Obverse of the painting in its late-Victorian swept frame
Historic & Old Master Cases Obverse of the painting in its late-Victorian swept frame authentication evidence image 2
Historic & Old Master Cases authentication evidence image 2: Obverse of the painting in its late-Victorian swept frame
Historic & Old Master Cases Obverse of the painting in its late-Victorian swept frame authentication evidence image 3
Historic & Old Master Cases authentication evidence image 3: Obverse of the painting in its late-Victorian swept frame

Report structure

Section summaries

01

Description of the Artwork

The work is a small, vertically oriented oil on linen canvas, visible image c. 54 × 42 cm Measured on the reverse: stretcher bars 50.5 × 38.2 cm; approx. and presented in a late-19 th –early-20 th -century Rococo-revival gilt frame (outer size 66 × 53 cm).

Obverse of the painting in its late-Victorian swept frame: Description of the Artwork
02

Comparison with the National Gallery Original

46 (a) Rembrandt, Self-Portrait , 1640, oil on oak, 102 80 cm National Gallery, London, NG 672 .46 (b) Present copy, oil on canvas, visible c. 48.0 × 35.7 cm, private collection Side-by-side comparison: National Gallery original versus inter-war studio copy discussed here. a) is oil on canvas, 102 × 80 cm, rectangular.

Obverse of the painting in its late-Victorian swept frame: Comparison with the National Gallery Original

Authentication evidence

Selected close details from the human review

Obverse of the painting in its late-Victorian swept frame: Comparison with the National Gallery Original
Comparison with the National Gallery Original46 (a) Rembrandt, Self-Portrait , 1640, oil on oak, 102 80 cm National Gallery, London, NG 672 .46 (b) Present copy, oil on canvas, visible c. 48.0 × 35.7 cm, private collection Side-by-side comparison: National Gallery original versus inter-war studio copy discussed here.

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